William Kentridge: Anything Is Possible

3 Responses to “Peter Gelb, The Metropolitan Opera”

1. vicky marquez says:

   October 1, 2010 at 6:44 pm

   It is really great to see this. Thanks- I hope I could see the opera

   0  0

   Reply
2. Daniel Marc Kemp says:

   October 15, 2010 at 8:37 am

   Hidden due to low comment rating. Click here to see.

   For the sake of ethics and transparency re “The Nose” et al.

   For the true origination, source, aetiology, and inspiration of the South African Jewish artist William Kentridge [Kantorowicz]‘s work of the past decade, including research and seminal ideas and images as well as theoretical/practical formulations for “The Magic Flute” and “The Nose,” plus “Tide Table,” “What will come (has already come),” “Seeing Double,” “I am not me, the horse is not mine” et al, see the writings, films, photographs, and books of Jennifer Arlene Stone (paperbacks on Amazon) 
[e.g. Kentridge did not know the Egyptian (Horus) mythology and nor had he ever heard of the Shostakovich et al.] He is more than indebted . . .

   For full details, read “Kentridge”
   on THE APP on javari

   http://javari.com

   New York NY

   SAF®TheSAFGroup
   
New York NY London UK Johannesburg
   SA
AIC® Archive for Intellectual Capital & Property
   
investment in intellectual property reserved

   2  5

   Reply
3. Daniel Marc Kemp says:

   October 15, 2010 at 8:55 am

   Hidden due to low comment rating. Click here to see.

   NOTA BENE:
   Shostakovich’s “The Nose” opera was neither Kentridge’s nor Gelb’s idea: Kentridge was supplied with a copy of the only extant recording and details of Gergiev’s conducting a production in Leningrad, together with copious research and foundational staging ideas extending from Eisenstein to Godard.

   Both need to stop taking credit for an origination and major work not their own.

   2  5

   Reply