"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
Videos 1-5 of 5
|Video Name||Description||Duration||Release date|
|EPISODE: "Consumption"||"All of these artists reference the other kinds of images we are familiar with," writes Katy Siegel in her essay for the Art in the Twenty-First...||0:00||09/28/2001|
|SEGMENT: Mel Chin in "Consumption"||An interactive video game based on rug patterns of nomadic peoples and a garden with "hyperaccumulator" plants that clean up contaminated land are...||0:00||09/28/2001|
|SHORT: Mel Chin: "Fundred" at George Jackson Academy||Art21-featured artist Mel Chin (Season 1) originated the "Fundred Dollar Bill Project" to draw attention to and develop solutions for environmentally...||3:50||03/19/2008|
|SHORT: Mel Chin: "Paydirt"||Mel Chin describes the origins and motivations behind the nationwide art project "Paydirt" in a keynote address to the 2008 National Art Education...||2:31||06/19/2008|
|TRAILER: Season 1 of "Art in the Twenty-First Century" (2001)||Trailer for Season 1 of the Peabody Award-winning series, "Art in the Twenty-First Century" (premiered Fall 2001 on PBS). Season 1 features...||8:53||09/01/2001|