"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
Videos 1-5 of 5
|Video Name||Description||Duration||Release date|
|SHORT: Sally Mann: "The Two Virginias"||Photographer Sally Mann reflects on the life of Virginia Franklin Carter (1894–1994), an African American woman who helped raise the artist and...||4:22||09/12/2014|
|SEGMENT: Sally Mann in "Place"||The documentary shifts to Lexington, Virginia where Sally Mann is working in her studio on a new series of "dog bone" photographs. “What I like about...||0:00||09/21/2001|
|EPISODE: "Place"||"America is a country made of places," writes curator Thelma Golden for the Art in the Twenty-First Century companion book, "not just the places...||0:00||09/21/2001|
|TRAILER: Season 1 of "Art in the Twenty-First Century" (2001)||Trailer for Season 1 of the Peabody Award-winning series, "Art in the Twenty-First Century" (premiered Fall 2001 on PBS). Season 1 features...||8:53||09/01/2001|
|PREVIEW: Sally Mann in Season 1 of "Art in the Twenty-First Century" (2001)||Sally Mann's early "Immediate Family" photographs were of her three children and husband. In her more recent series of landscapes of the...||1:06||09/01/2001|