"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
Sarah Sze was born in Boston, Massachusetts in 1969. Sze builds her installations and intricate sculptures from the minutiae of everyday life, imbuing mundane materials, marks, and processes with surprising significance. Combining domestic detritus and office supplies into fantastical miniatures, she builds her works, fractal-like, on an architectural scale. Often incorporating electric lights and fans, water systems, and houseplants, Sze’s installations balance whimsy with ecological themes of interconnectivity and sustainability. Whether adapting to a venue or altering the urban fabric, Sze’s patchwork compositions seem to mirror the improvisational quality of cities, labor, and everyday life. On the edge between life and art, her work is alive with a mutable quality—as if anything could happen, or not. Sarah Sze received a BA from Yale University (1991) and an MFA from the School of Visual Arts (1997). She has received many awards, including a Radcliffe Institute Fellowship (2005); John D. and Catherine T. MacArthur Foundation Fellowship (2003); Louis Comfort Tiffany Award (1999); and the Rema Hort Mann Foundation Award (1997). Major exhibitions of her work have appeared at the Asia Society Museum, New York (2011); 10th Biennale de Lyon (2010); BALTIC Centre for Contemporary Art (2009); Malmö Konsthall (2006); Whitney Museum of Amerian Art (2003); Walker Art Center (2002); São Paulo Bienal (2002); Museum of Contemporary Art, Chicago (1999), and Foundation Cartier pour l’art contemporain, Paris (1999), the Carnegie International (1999), and the 48th Venice Biennale (1999). Sarah Sze lives and works in New York City.