"I still think the social function of art is that kind of negative aesthetic. Otherwise there’s no social function for it."
Tabaimo was born in Hyogo, Japan in 1975. Tabaimo’s drawings and video installations probe the unsettling themes of isolation, contagion, and instability that seem to lurk beneath daily existence in contemporary Japan. She draws aesthetic inspiration for her animated videos from a combination of Japanese art forms—ukiyoe woodcuts, manga, and anime—while she often sets her layered, surrealistic narratives in domestic interiors and communal spaces such as public restrooms, commuter trains, and bathhouses. Tabaimo populates her work with uncanny characters that, either through mutation or as victims of inexplicable violence, become fragmented in their relationships to the environment and their own identity. Installed in theatrical, stage-like settings, her work is attuned to the architecture and the viewers within it. Tabaimo graduated from Kyoto University of Art and Design (1999). Her work has appeared in major exhibitions at the Venice Biennale (2011, 2007); Parasol unit foundation for contemporary art, London (2010, 2007); Yokohama Museum of Art, Tokyo (2010); National Museum of Art, Osaka (2010); Philadelphia Museum of Art (2010); Moderna Museet, Stockholm (2009); Museum of Contemporary Art, Los Angeles (2007); Fondation Cartier pour l’art contemporain, Paris (2006); Hara Museum of Contemporary Art, Tokyo (2006, 2003); Israel Museum, Jerusalem (2005); National Gallery of Victoria, Melbourne (2004); Walker Art Center, Minneapolis (2003); and the São Paulo Bienal (2002). Tabaimo lives and works in Nagano, Japan.done reading