"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
Videos 1-4 of 4
|Video Name||Description||Duration||Release date|
|SEGMENT: Vija Celmins in "Time"||Patiently working at her easel, Vija Celmins dabs tiny speaks of paint on a canvas. The object of her attention is a starry night sky, an image that...||0:00||09/17/2003|
|EPISODE: "Time"||“Time” is always present in our interaction with works of art, whether we sit to contemplate a painting, stroll past a sculpture, or watch a video...||0:00||09/17/2003|
|PREVIEW: Vija Celmins in Season 2 of "Art in the Twenty-First Century" (2003)||Vija Celmins received attention early on for her renditions of natural scenes—often copied from photographs that lack a point of reference,...||1:08||09/01/2003|
|TRAILER: Season 2 of "Art in the Twenty-First Century" (2003)||Trailer for Season 2 of the Peabody Award-winning series, "Art in the Twenty-First Century" (premiered Fall 2003 on PBS). Season 2 features...||7:46||09/01/2003|