"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
pageVideos 13-16 of 16
|Video Name||Description||Duration||Release date|
|SHORT: William Kentridge: Studio Manager Anne McIlleron||Anne McIlleron, William Kentridge's studio manager, discusses the artist's working method and penchant for collaboration. Featuring behind-the-scenes...||3:00||10/29/2010|
|SHORT: William Kentridge: Collaboration||Three of William Kentridge's long-time collaborators — Sabine Theunissen (Set Design), Catherine Meyburgh (Video Composite & Editing), and Kim...||3:30||11/05/2010|
|SHORT: William Kentridge: "The Magic Flute"||In his 2005 production of Mozart’s "The Magic Flute" (1791), artist William Kentridge reframes the opera’s original themes of Enlightenment...||4:25||01/21/2011|
|SHORT: William Kentridge: Meaning||Filmed at his Johannesburg studio in 2008, William Kentridge discusses how the physical activities of cutting, tearing and collaging...||2:09||03/30/2012|