"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
pageVideos 13-16 of 16
|Video Name||Description||Duration||Release date|
|SHORT: William Kentridge: "The Nose" Opera Curtain||Set designer Sabine Theunissen and scenic artist John Pitts share how the opera curtain for William Kentridge's production of "The Nose" (2010) was...||4:14||10/21/2010|
|TRAILER: Season 5 of "Art in the Twenty-First Century" (2009)||Trailer for Season 5 of the Peabody Award-winning series, "Art in the Twenty-First Century" (premiered Fall 2009 on PBS). Featured artists...||5:12||04/10/2009|
|SHORT: William Kentridge: Composer Phillip Miller||Composer Philip Miller talks about his long-time collaboration with William Kentridge, scoring and performing original music for the artist’s...||5:19||10/08/2010|
|SHORT: William Kentridge: Peter Gelb, Metropolitan Opera||Peter Gelb, General Manager of the Metropolitan Opera in New York, discusses the historical context and artistic sensibility of William Kentridge’s...||5:28||10/01/2010|