"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
How does memory function? What is history? How do contemporary artists frame the past in their work? The "Art in the Twenty-First Century" documentary “Memory” explores these questions through the work of the artists Susan Rothenberg, Mike Kelley, Hiroshi Sugimoto, and Josiah McElheny, and concludes with an original video artwork by Teresa Hubbard / Alexander Birchler.
Major underwriting for "Art in the Twenty-First Century" Season Three provided by: National Endowment for the Arts; Public Broadcasting Service; Agnes Gund and Daniel Shapiro; Nathan Cummings Foundation; Corporation for Public Broadcasting; Jon and Mary Shirley Foundation; Bagley Wright Fund; Bloomberg; The Horace W. Goldsmith Foundation; JPMorgan Chase; Melva Bucksbaum and Raymond Learsy; The Paul G. Allen Family Foundation; The Andy Warhol Foundation for the Visual Arts.done reading