"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"There is a beach on the outskirts of Luanda and the scene is very dramatic because you see old tankers and refineries just offshore. Every Sunday morning on that beach you see these kids playing in a beautiful choreography. When you look at it from a distance you marvel at the dance of their bodies. For me, that dance was a sign of innocence. And because of the physical presence of the oil industry right there I immediately thought, "How much of the benefit of that oil industry are they actually getting? How are the lives of these children affected by the billions of dollars coming into the country?" The answer is in the film, and the answer is none."
- Alfredo Jaar