"At this time in my life, I’m ready to accept or own a kind of romance and melancholy or melodrama that I wasn’t ready to reveal before. It was always there in my inner life as an artist, but I was too afraid to share it."
"Because of my background as an architect, I design every work based on a program. The program here was to tell a story in a very dark space and to enter a space of light where- instead of light- we find another kind of horror. Sometimes light is liberating and light is hope. Here, light is horror. It reveals the eyes of this kid who witnessed a genocide that we did not want to witness. I’m interested in that moment when the audience takes a look. They look at the eyes very carefully, and that is the moment I’m looking for- when their eyes are a centimeter away from the eyes of Nduwayezu, who witnessed what we didn’t want to see."
- Alfredo Jaar