"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"Because of my background as an architect, I design every work based on a program. The program here was to tell a story in a very dark space and to enter a space of light where- instead of light- we find another kind of horror. Sometimes light is liberating and light is hope. Here, light is horror. It reveals the eyes of this kid who witnessed a genocide that we did not want to witness. I’m interested in that moment when the audience takes a look. They look at the eyes very carefully, and that is the moment I’m looking for- when their eyes are a centimeter away from the eyes of Nduwayezu, who witnessed what we didn’t want to see."
- Alfredo Jaar