"From early on, very early on, I understood that art is not about what you say. It’s about these other things that you don’t say."
"I collaborated with a museum in Utah. It turned out that it was in a coal-mining town. The coal miners would find naturally formed casts of dinosaur tracks in the roofs of the coal mines. Even the paleontological preparator (who made molds for me so I could make the casts in New York) used to work in a coal mine."