"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"Hundreds—maybe thousands—of people put their hands on these things and they wind up in a commercial situation. In the art world people might say, “Oh, it’s just a stupid commercial situation.” But in fact there may be thousands of actual hands of individual people that produced those things, and I was looking for some of that feeling in this project."