"My approach tends to be from experiments. I need the challenge. If I know how to do something well, there's no need to do it all the time because it becomes a little monotonous. So I like to find a challenge."
"In the ’70s I was making the Surrogate Paintings (1978–79). I would show them like stand-ins for paintings, almost like stage props, so that—in my mind—when you walked into the gallery you would recognize that you were playing a role in a social game of what a gallery is."