"Often when you're in the process of realizing an image, it's going somewhere else. If that tangent starts going off in a place that feels more exciting, that's what I go with."
"One of the things I was concerned about was that they should be distinctly different. It’s very easy to, say, choose four shapes and have them all be different: one’s a triangle, one’s a square, one’s a circle, and one’s a parallelogram. But when you have to design 144 shapes that are instantly different from one another, it’s a lot harder than you think."