"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"One of the things I was concerned about was that they should be distinctly different. It’s very easy to, say, choose four shapes and have them all be different: one’s a triangle, one’s a square, one’s a circle, and one’s a parallelogram. But when you have to design 144 shapes that are instantly different from one another, it’s a lot harder than you think."