"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"Do I ever break my molds? That’s one of the strange elements. If somebody asks me if I am going to make any more of a particular work, I always say that I don’t know. I’m not trying to create the mystique of saying there are only so many left so the value is supposed to go up. I find it a little bit offensive when someone makes ten objects and then destroys the mold so no more can be made. It seems phony to me."