"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"I think about the horizon a lot. Do you want the horizon to be in the middle of the picture? Do you want it to be a third? For me, it’s usually balanced by whatever is below the horizon. Sometimes I feel that a picture needs a lot of air, so I will give it more sky and lower the horizon. It’s not always that much of an issue for me. You know, I see the image upside down on the ground glass and it’s very intuitive how it’s balanced out. It’s always a question of air versus solid ground. Being at sea, you really start paying attention to the horizon and how it’s defined. Sometimes it’s very sharp; sometimes it’s hazy. Sometimes there are residues of colors on the edge. It’s something I was mesmerized with."
- An-My Lê