"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"There's that rush of being outside and getting away with it. The satisfaction that you have something sitting out there, for however long, amongst everything else. It just had a life, and it would go and it went, and then that was it. You have this memory. It's hard to recreate that in a studio. That's a completely different practice."
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