"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"There's that rush of being outside and getting away with it. The satisfaction that you have something sitting out there, for however long, amongst everything else. It just had a life, and it would go and it went, and then that was it. You have this memory. It's hard to recreate that in a studio. That's a completely different practice."
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