"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"We have always been vested in this framework, namely, the visual schema of the Asian philosophy of art. In retrospect, I realize that I have always been looking for these connections, the differences and similarities between past and present, Asian and Western."