"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"At that time the topic of the Pearl River Delta as the factory of the world was still out there. I felt that I had to get a firm grasp of the whole picture, to go behind the scenes in the factory and discover something about the essence and soul of the place. It's not an exposé, nor is it about political correctness."