"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"Chittenden Screen Tests (Second Set. Virtuous Woman: Mean Showgirl Lynching Retreat)," production stills (2005)
"The performers’ movements are not alienating in and of themselves. It’s what happens to those movements once they’re in the environment of a particular regime. It is to the regime that judgment is to be directed versus judgment being directed at the individuals within it. And that’s been something of a misunderstanding within the work."
- Catherine Sullivan