"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"Helen and Annie/Birdie Jo Infusion Inversion," production still (2002)
"All these sources or models had to do with the paradox- the strange cultural fixation- that we find pleasure in the misfortunes of others. With regard to the popular films, I was questioning why the ascendance of an actor is expressed through the affliction of a character. Why- in order to demonstrate mastery as an actor- does one have to play someone who’s disfigured, deformed, or psychotic? It’s an odd paradox- that in order to demonstrate one’s craft, one has to do it through that kind of role. I had an acting teacher once who said, ‘If you can do this- play blindness or disease or psychosis- then as an actor you’re really hunting the big game.’ (And that’s my title, ‘Big Hunt.’)"
- Catherine Sullivan