"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"All these sources or models had to do with the paradox- the strange cultural fixation- that we find pleasure in the misfortunes of others. With regard to the popular films, I was questioning why the ascendance of an actor is expressed through the affliction of a character. Why- in order to demonstrate mastery as an actor- does one have to play someone who’s disfigured, deformed, or psychotic? It’s an odd paradox- that in order to demonstrate one’s craft, one has to do it through that kind of role. I had an acting teacher once who said, ‘If you can do this- play blindness or disease or psychosis- then as an actor you’re really hunting the big game.’ (And that’s my title, ‘Big Hunt.’)"
- Catherine Sullivan