"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"Ice Floes of Franz Joseph Land (Orensanz/S.W.A.P Manifestations)" (2004)
"There was a different kind of performance that grew out of working with the camera. The camera was actually a different kind of audience than a live audience. I was interested in what kinds of intimacies could be generated, or what other things the performer would do, if only the camera were present. And that grew to a different way in which I wanted to look at certain subject matter."
- Catherine Sullivan