"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"Ice Floes of Franz Joseph Land (Orensanz/S.W.A.P Manifestations)" (2004)
"There was a different kind of performance that grew out of working with the camera. The camera was actually a different kind of audience than a live audience. I was interested in what kinds of intimacies could be generated, or what other things the performer would do, if only the camera were present. And that grew to a different way in which I wanted to look at certain subject matter."
- Catherine Sullivan