"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"Ice Floes of Franz Joseph Land (Orensanz/S.W.A.P Manifestations)" (2004)
"Ice Floes of Franz Joseph Land (Orensanz/S.W.A.P Manifestations)," 2004
Theater work, approximately 1 hour 45 minutes. First presented at the Polish Army Veterans Association of America (S.W.A.P.), Chicago, and again at the Angel Orensanz Center, New York, in conjunction with the "Whitney Biennial," Whitney Museum of American Art, New York.
© Catherine Sullivan
Theater work, approximately 1 hour 45 minutes. First presented at the Polish Army Veterans Association of America (S.W.A.P.), Chicago, and again at the Angel Orensanz Center, New York, in conjunction with the "Whitney Biennial," Whitney Museum of American Art, New York.
© Catherine Sullivan
"In live theater, I really enjoy the pleasure of the eyes to look anywhere and the feeling of a very pleasurable kind of participation- watching and being able to experience a lot of different kinds of spatial compositions and depths. In film it became more about how the body was interpreted once it was broken down and framed in a series of parts and then reassembled by me either through editing or the manner in which it was displayed."
- Catherine Sullivan
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