"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"The process of the piece was to build a mise en scène in which the characters were modeled after twentieth century middle-management and nineteenth century leisure-class archetypes. I started to look at certain things that were symbolic or visual motifs within their milieu. One of those things was the lighthouse, which is often used in ads for insurance agencies, banks, and mortgage brokers as a symbol of stability in American business culture, and another was the office or corporate headquarters."
- Catherine Sullivan