"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"Then eventually I was just using a lot of mannequins and dolls to suggest that there is actually a living person in the picture but it was in fact all still life. In a lot of that work people just assume that I’m still there, that my eyes are the eyes that you see through the mask or that the hand in the foreground is actually my hand, as if I still have to be in the picture somehow."