"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"People have such differing reactions to clowns. A lot don’t like them, or are afraid or suspicious of them. That’s kind of the attitude I was trying to get out of the characters—trying to make them look a little seedier around the edges, a little as if maybe there’s some sort of desperation as to why they’re clowns."