"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"I always shot in slide film, I would project the slides onto the wall and just measure. With this work, I needed a digital projector. It was such a change for me to see the images really big. Suddenly they seemed much more tragic and had such real presence. They felt like real people."