"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"Almost right from the beginning of my career, people were using my work to describe what was going on with appropriation in the art world—even before it was called appropriation, when that famous show was at Artists Space in New York. I wasn’t even in the show, but a lot of people assume I was because my work eventually went on to be emblematic of that."