"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"In the Helga pictures I set out to create a total portrait of a young man using Andrew Wyeth’s Helga paintings as a template to explore how one defines someone in images using a description of femininity to describe a man, so that you start to wonder with the Wyeth portraits whether it is a feminine pose or an artist’s pose. Is it Wyeth’s pose, is it Helga’s pose?"
- Collier Schorr