"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"The Vessel, there is something almost religious about it. The way it’s radiating feels almost Catholic in some way. I can see it going in that direction, the idea of a center of energy and irradiation of that energy and the body. Something that wasn’t as clear before in my work."
—David Altmejd in Boundaries (2012)