"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"The Istanbul Biennial piece relates to an historical event. But that event had been
forgotten, entirely forgotten. The people of the city did not make the direct connection,
but it gave me the opportunity to bring many aspects alive, especially in a society where memories are repressed."