"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"The Istanbul Biennial piece relates to an historical event. But that event had been
forgotten, entirely forgotten. The people of the city did not make the direct connection,
but it gave me the opportunity to bring many aspects alive, especially in a society where memories are repressed."