"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"Unland was about the impossibility of inhabiting a land, the impossibility of belonging and developing a life. As human beings, we all aspire to happiness. So it’s that impossibility to which the title of that piece was referring. The title of the orphan’s tunic is actually from Celan. I was interviewing children who had witnessed the killing of their parents."