"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"Unland was about the impossibility of inhabiting a land, the impossibility of belonging and developing a life. As human beings, we all aspire to happiness. So it’s that impossibility to which the title of that piece was referring. The title of the orphan’s tunic is actually from Celan. I was interviewing children who had witnessed the killing of their parents."