"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"Unland was about the impossibility of inhabiting a land, the impossibility of belonging and developing a life. As human beings, we all aspire to happiness. So it’s that impossibility to which the title of that piece was referring. The title of the orphan’s tunic is actually from Celan. I was interviewing children who had witnessed the killing of their parents."