"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"Unland was about the impossibility of inhabiting a land, the impossibility of belonging and developing a life. As human beings, we all aspire to happiness. So it’s that impossibility to which the title of that piece was referring. The title of the orphan’s tunic is actually from Celan. I was interviewing children who had witnessed the killing of their parents."