"At this time in my life, I’m ready to accept or own a kind of romance and melancholy or melodrama that I wasn’t ready to reveal before. It was always there in my inner life as an artist, but I was too afraid to share it."
"I was thinking, “It’s not that extraordinary. It’s an industrial, modernist space.” It’s not like you are entering Hagia Sofia or you’re in front of the pyramids in Egypt. I didn’t think it was of that character, but people had that impression. I thought it was unbelievably narcissistic. So what I wanted to do was to change that perspective, reverse it entirely, turn it upside down. Instead of looking up, you would have to look down as a way of seeing reality."