"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"I was thinking, “It’s not that extraordinary. It’s an industrial, modernist space.” It’s not like you are entering Hagia Sofia or you’re in front of the pyramids in Egypt. I didn’t think it was of that character, but people had that impression. I thought it was unbelievably narcissistic. So what I wanted to do was to change that perspective, reverse it entirely, turn it upside down. Instead of looking up, you would have to look down as a way of seeing reality."