"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"I think that would generate the idea of fear and compassion as the human response to a tragic event. In Unland, this takes place because it is the reality of the piece. It’s fragility, vulnerability—not beauty. It is not beauty that interests me now. I believe that in fragility there is beauty."