"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I think that would generate the idea of fear and compassion as the human response to a tragic event. In Unland, this takes place because it is the reality of the piece. It’s fragility, vulnerability—not beauty. It is not beauty that interests me now. I believe that in fragility there is beauty."