"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"I think that would generate the idea of fear and compassion as the human response to a tragic event. In Unland, this takes place because it is the reality of the piece. It’s fragility, vulnerability—not beauty. It is not beauty that interests me now. I believe that in fragility there is beauty."