"From early on, very early on, I understood that art is not about what you say. It’s about these other things that you don’t say."
"I think that would generate the idea of fear and compassion as the human response to a tragic event. In Unland, this takes place because it is the reality of the piece. It’s fragility, vulnerability—not beauty. It is not beauty that interests me now. I believe that in fragility there is beauty."