"Often when you're in the process of realizing an image, it's going somewhere else. If that tangent starts going off in a place that feels more exciting, that's what I go with."
"I think that would generate the idea of fear and compassion as the human response to a tragic event. In Unland, this takes place because it is the reality of the piece. It’s fragility, vulnerability—not beauty. It is not beauty that interests me now. I believe that in fragility there is beauty."