"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"You’re confronted, when you are looking at a painting where you don’t have specific images or a figure or a landscape, with something that you are challenged to resolve and unify in some way, because there is a unity there. I keep harping on this; that’s what has to work. It has to resolve in secret, almost. There has to be some kind of unification of shapes and colors And it just may be in a very surprising way."
- Elizabeth Murray