"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"I’m not necessarily into grand gestures—and maybe this might come off as a little too grand. It’s taken from high above and it’s a huge landscape (and that’s also the problem with the American landscape—that it’s too grand in scale). Maybe it’s over the top and too sensational, and maybe you lose all the mid-tones. It’s not subtle anymore."