"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"I’m not necessarily into grand gestures—and maybe this might come off as a little too grand. It’s taken from high above and it’s a huge landscape (and that’s also the problem with the American landscape—that it’s too grand in scale). Maybe it’s over the top and too sensational, and maybe you lose all the mid-tones. It’s not subtle anymore."