"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"When I look at American landscape painting from the nineteenth century I always have in mind one painting of Yosemite by Albert Bierstadt. Yosemite is already such a theatrical place—almost like a too-drastic landscape—and Bierstadt just added more to it. He turned it into a complete fantasy by getting rid of the facts and enhancing every other aspect of Yosemite."