"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"For me, it was more like trying to find a way to do landscape photography and get a result that might be detached from the present—slightly historical, maybe even slightly leaning towards the future—and also kind of abstract. With infrared film it looks like it could be early color photography. It looks historical, but also almost like a little bit of science fiction or—at least—fiction."