"From early on, very early on, I understood that art is not about what you say. It’s about these other things that you don’t say."
"For me, it was more like trying to find a way to do landscape photography and get a result that might be detached from the present—slightly historical, maybe even slightly leaning towards the future—and also kind of abstract. With infrared film it looks like it could be early color photography. It looks historical, but also almost like a little bit of science fiction or—at least—fiction."