"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"For me, it was more like trying to find a way to do landscape photography and get a result that might be detached from the present—slightly historical, maybe even slightly leaning towards the future—and also kind of abstract. With infrared film it looks like it could be early color photography. It looks historical, but also almost like a little bit of science fiction or—at least—fiction."