"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"To me, it’s a good combination of the American west and the way Los Angeles industrializes landscape. I’m not a pure landscape photographer, and I’m not interested in pure landscape, the Ansel Adams way for example. What I like is when cityscape and landscape meet. Then I use infrared film to get rid of presence."