"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"I first got curious about Stralsund because I saw an old postcard from the days of the GDR. And what I always notice about images from that era is that everything is very poor, very sparse, and you can always see that the cities were very sparsely lit. But I kind of like it that East Germany was under-lit. It’s not necessarily nostalgic; it’s simply what struck me about it."