"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I first got curious about Stralsund because I saw an old postcard from the days of the GDR. And what I always notice about images from that era is that everything is very poor, very sparse, and you can always see that the cities were very sparsely lit. But I kind of like it that East Germany was under-lit. It’s not necessarily nostalgic; it’s simply what struck me about it."