"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"I first got curious about Stralsund because I saw an old postcard from the days of the GDR. And what I always notice about images from that era is that everything is very poor, very sparse, and you can always see that the cities were very sparsely lit. But I kind of like it that East Germany was under-lit. It’s not necessarily nostalgic; it’s simply what struck me about it."