"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"Chandelier Mori, (Speak of Me as I Am)" (2003)
"Chandelier Mori, (Speak of Me as I Am)," 2003
United States Pavilion
50th Venice Biennale: Dreams and Conflicts
Photo byR. Ransick/A. Cocchi
Courtesy The Pace Gallery, New York
United States Pavilion
50th Venice Biennale: Dreams and Conflicts
Photo byR. Ransick/A. Cocchi
Courtesy The Pace Gallery, New York
"I had a Venetian glass fabricator create a huge seventeenth-century Venetian glass chandelier that would normally be in pastel colors or white. Whenever I use black it relates to some history of Africans in that particular place. It’s the idea of the color black as a metaphor, or as a representation of African-Americans. It’s the notion of black - blackness- and all its other meanings in relation to the history of race but also its meanings as just the color- or lack of color- or specific materials and their own histories, and trying to confuse that a bit."
- Fred Wilson



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