"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"My work is essentially about where I am- and here I was, this African-American, doing a project in the American Pavilion about the Africans of Venice. The part that was the most abstract was this room that I created of black and white tile - thinking about issues of black and white. The room vibrated if you stood there and visually offset you a little bit because of that. I was also interested in institutional spaces - the kind of places that you’re familiar with but not necessarily comfortable in, like a bathroom in an airport, where you can be alone but where you’re not alone."
- Fred Wilson