"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"When I cut it and extracted the center and put it back together, the design in relation to speed and the body became accelerated. So I think that you are looking at a car in motion, and you can think in sculptural terms of the idea of trying to express motion, speed, time."
- Gabriel Orozco