"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"What kind of gray tone creates these nice gray tones? And what level of grayness makes black tones, not losing the medium tones, but extremely deep black? And then, highlights should be interesting but never washed out. There’s no pure white; there are always some tones there. Even in the deepest shadow, there’s a tone which is possible to print on the silver surface, but not in a catalogue."