"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"What kind of gray tone creates these nice gray tones? And what level of grayness makes black tones, not losing the medium tones, but extremely deep black? And then, highlights should be interesting but never washed out. There’s no pure white; there are always some tones there. Even in the deepest shadow, there’s a tone which is possible to print on the silver surface, but not in a catalogue."