"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"In a lot of the camera work that we use it’s this mechanical, objective, unblinking, unfeeling eye that seems not to give a damn. However there are moments, rather like when you walk past someone in trouble on the street, that there’s a moment when you might pause, and then obviously the decision is to keep going or to stop and actually change something...One of the consequence of that unblinking and uncaring eye is that it might slow down but it’s probably more slowing down in a moment of curiosity rather than one of sympathy."
- Teresa Hubbard