"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"The moment you transgress, you caress. And the moment that you intervene to subvert the building, you erase your intervention. You don’t leave a mark behind. So it’s all about the artist trying to critique the father, or modernity, and then failing. As the actor, you’re artist, laborer, and architect. You’re the artist because you’re making the film and because sometimes, when you’re washing the windows, the camera watches your hand in a gesture, almost a painting gesture across the pane. But you’re also the laborer who, in that gesture, is just simply washing a window. It’s mundane. Then you’re outside the building tending to its form, so you’re the architect."
- Iñigo Manglano-Ovalle