"Often when you're in the process of realizing an image, it's going somewhere else. If that tangent starts going off in a place that feels more exciting, that's what I go with."
"What I’m doing in the film is thinking about Oppenheimer in Purgatory. So I set it in a tropical jungle. He’s standing on water, surrounded by hundred- year-old ferns, but this flora speaks of the tropics rather than of Los Alamos. And he’s caught there and the camera just revolves around him. So even though it’s a moving image (that is, it moves in time), think of it as a photograph that has time."
- Iñigo Manglano-Ovalle