"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I’m really interested in the notion of the aftermath, in terms of both politics and the global environment. For me, issues like global warming are so evident that now we are living in the aftermath. For example, right now no one is debating our preemptive strike of in Iraq. We are only debating the aftermath. We are only in a sense concerned with how we deal with what comes after. A culture that, in a sense, only looks at the world as a condition of a post-event is then a culture that can only do maintenance. And so the film- very appropriately- is a lot about sweeping up."
- Iñigo Manglano-Ovalle